Welcome to the sixth post discussing Chasing Chopin by Annik LaFarge.
In Chapter 6, LaFarge examines the complex textual history and physical transmission of Frédéric Chopin’s scores. Because Chopin frequently improvised during performances and made ongoing alterations to his manuscripts, his pieces often evolved across multiple simultaneous editions published in France, England, and Germany. LaFarge traces the archival journey of these conflicting musical texts, highlighting the detective work modern scholars and performers must undertake to find the composer's true intent. She reveals that Chopin's music was never fixed or static, but rather a living, breathing entity.
Annik LaFarge has an extensive website that includes links and resources for each chapter. I highly encourage you to check it out, especially if you are looking for ideas on how to connect this book to teaching ideas for your studio or classroom.
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I've published five piano music books and one guitar music book. Get them here.
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