Welcome to the second post discussing Chasing Chopin by Annik LaFarge.
In the second chapter, LaFarge immerses readers in the vibrant, socio-political atmosphere of 1830s Paris (at that time, the undisputed piano capital of the world). She explores how rapid technological advancements in instrument manufacturing, specifically by rival makers Pleyel and Érard, directly shaped Frédéric Chopin’s revolutionary musical language. Pleyel’s lighter touch and singing, nuanced tone perfectly complemented Chopin’s intimate performance style and mastery of rubato. By weaving together threads of industrial innovation, local salon culture, and artistic friendships, LaFarge demonstrates how this specific urban landscape enabled Chopin to forge his unique, enduring voice.
Annik LaFarge has an extensive website that includes links and resources for each chapter. I highly encourage you to check it out, especially if you are looking for ideas on how to connect this book to teaching ideas for your studio or classroom.
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I've published five piano music books and one guitar music book. Get them here.
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