Welcome to the first post discussing Chasing Chopin by Annik LaFarge. Given that our last book was on Bach’s cello suites, I was delighted by the (previously unbeknownst to me) tie-in to those suites in the introduction.
In the introduction and first chapter, LaFarge brilliantly dismantles the romanticized trope of a frail, tragic composer, presenting Frédéric Chopin instead as a fierce, modern innovator. By focusing on the creation of his Sonata No. 2 and its iconic "Funeral March," LaFarge frames his artistic genius through the lens of political exile. This opening section masterfully anchors Chopin’s identity in the cultural trauma of his fractured Polish homeland, weaving history with musical analysis. It is a compelling, vibrant look at how permanent displacement shaped his music, making this a refreshing, deeply engaging read for both musicians and history enthusiasts alike.
Annik LaFarge has an extensive website that includes links and resources for each chapter. I highly encourage you to check it out, especially if you are looking for ideas on how to connect this book to teaching ideas for your studio or classroom.
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I've published five piano music books and one guitar music book. Get them here.
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