Welcome to the final post discussing
The Cello Suites by Eric Siblin. The Sixth Suite in D major, BWV 1012, is the virtuosic climax of Bach’s solo cello cycle. Originally composed for a five-stringed instrument, likely the violoncello piccolo, its expanded range allows for a radiant, soprano register. This provides a triumphant contrast to the darker Fifth Suite. The opening prelude is a masterclass in momentum, using rapid-fire bariolage and compound meters to create a sense of boundless, joyful energy that defines the D major tonality.
Following traditional Baroque dance structures, the suite pushes every movement to its expressive limit. The allemande is notably ornate, while the sarabande uses dense double-stops to create a rich, organ-like texture. By the final gigue, Bach fully transforms the cello from a supportive continuo role into a powerful solo voice. The work remains a technical summit, demanding both orchestral grandeur and intimate prayer from the performer across its expansive, sophisticated emotional landscape.
If you want to dive deeper into Suite No. 6 with your students, here are some lesson plans to do that.
- D Major: The "Triumphant" Key
Objective: Explore "Affekt" (the Baroque idea that specific keys represent specific emotions). Activity: Listen to the 6th Suite (D Major) and the 5th Suite (C Minor). Have students create a "color palette" for each key based on the emotions they feel.
- Baroque Dance: The Gavotte
Objective: Connect musical suites to historical social dances. Activity: The Gavotte is famous for starting on the "half-measure" (upbeat). Have students clap on beats 3 and 4 while listening to Gavotte I to find the "step." Fast-forward to 21:31 to see/hear the Gavottes on a period instrument.
- Ornamentation: The Allemande "Swirl"
Objective: See how Baroque composers "decorated" a simple melody. Activity: Show students a "bare bones" scale, then play the Allemande. Have them draw "curlicues" on paper every time they hear a melodic flourish.
- Binary Form (A-A-B-B)
Objective: Identify the structural "blueprint" of Baroque dance movements. Activity: Use the Courante. Give students "A" and "B" cards. Have them hold up "A" during the first half and "B" when the music shifts to the second half.
- Modern Remix: From Cello to Marimba
Objective: Explore how music changes when the instrument changes (timbre). Activity: Listen to a movement played on a cello, then on a marimba or electric guitar. Discuss which version feels more "modern."
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I've published five piano music books and one guitar music book. Get them here.
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